What is trauma? How do we begin to heal from the pain inflicted upon us, and how do we rise to care for others in a world and place of selflessness and humanity? In gorgeous strokes of empathy and intimacy, Brown Box Theatre Project presents the poetic and deeply personal Brilliant Traces at the Atlantic Wharf in Boston before continuing its run on its tour to Maryland (Oxford, Salisbury, and Ocean City). Driven by the strength of Cindy Lou Johnson’s tight script, Director Kyler Taustin and his talented cast of Laura Menzie and Spencer Parli Tew perform a surprisingly invigorating production in its tenderness, questioning, and thought-provoking story of how we face our scars that leave brilliant traces and the cathartic ways that we move on with the help of others.
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Beginning with a chilling entrance, Brilliant Traces opens with Henry Harry (stoically played by a warm Spencer Parli Tew) returning to his Alaskan retreat, a humble hovel, and huddling for warmth in his bed. He is awoken by the arrival of a stranger from a strange land, Rosannah (played with brilliant awareness and commitment by Laura Menzie), attired in her bridal gown, captivating in her manic energy from surviving her car stalling in the Alaskan wilderness. And, here, the poetic and magical surrealism meet reality, as the juxtaposition of a runaway bride suffering from a deep-seeded loneliness and sullen lumberjack licking his wounds form an unlikely relationship. The tender exploration of the unfolding of their stories, the nuanced dance between them, and the exposure of their scars made for a gorgeous night at the theatre.
Title: Brilliant Traces Playwright: Cindy Lou Johnson Director: John Hindman Cast: Rosannah (Tessa Ferrer), Henry (Andy Wagner) Set Design: Zachary B. Guiler Lighting Design: Elizabeth Godley Sound Design: Jeff Polunas Costume Design: Alex Bair & Claudia Gomez Where: The Lounge 2 Theatre, 6201 Santa Monica Blvd, Los Angeles. Brilliant Traces. Cindy Lou Johnson. Dramatists Play Service Inc, 1989 - Drama - 51 pages. THE STORY: The place is a remote cabin in the wilds of Alaska.
- In the Playbill for Cindy Lou Johnson's 'Brilliant Traces' at the Cherry Lane Theater, there is a poem titled 'Individuation': If I must be wrung through the paradox, -broken into.
- This item: Brilliant Traces by Cindy Lou Johnson Paperback $10.00. Ships from and sold by Amazon.com. FREE Shipping on orders over $25.00. A Taste of Honey: A Play by Shelagh Delaney Paperback $12.69. Ships from and sold by Amazon.com.
- Brilliant Traces. Cindy Lou Johnson. Dramatists Play Service Inc, 1989 - Drama - 51 pages. THE STORY: The place is a remote cabin in the wilds of Alaska. As a blizzard rages outside, a lonely figure, Henry Harry, lies sleeping under a heap of blankets. Suddenly, he is awakened by the insistent knocking of an unexpected visitor-who turns.
The play whispers of dreams and speaks in the howls of the wind, expertly designed by Sound Designer Thomas Blanford, played out on the resourceful set by Scenic Designer Ben Lieberson (the adaptability of which makes it pleasing to the eye and capable of being easily transported to Maryland for their tour). The poem, “Individuation” by Avah Pevlor Johnson, provides a haunting prelude to the play’s action and shapes our understanding of the dream-like flow. The incorporation of a dance-like transition and fluidity throughout the play comes organically from the poem’s line: “Let me dance with devils on dead stars.” From the stripping of the wedding dress to the feeding of soup to the play’s transcending conclusion, the play moves in dance-like forms and with remarkable grace. Tew and Menzie negotiate their relationships with starts and stops, moving together and away from each other, orchestrated by some of Director Kyler Taustin’s most authentic and captivating direction. Rosannah and Henry Harry are both aware and unaware of their emotions and feelings, making what they say and omit even more telling and distinguishable. Sometimes, the audience is more aware of the inner frustration, loneliness, protectiveness, and anger of the characters, but, often, these characters surprise us with inner turmoil, isolated remarks of consciousness and clarity, and a glowing empathy for how we care for ourselves and others.
The location is, as always, a continued struggle. While Brown Box Theatre Project continues to earn substantial accolades for bringing affordable and accessible theatre to an otherwise remote location in the Atlantic Wharf, the venue has some sound issues from the surrounding activities. The night that I attended was better than other occasions in this venue, but still had isolated noises. The lighting, while superb in its execution and design, suffered from not quite focusing the action enough on the remote cabin in the woods, and I found my eye wandering at times to the other events and movement in the venue. These issues are easily overcome in this particular production because of the strength of the acting, direction, and other design elements, but still gave me momentary pauses throughout the play’s tight, intermission-less performance.
If you like your theatre with gorgeous poetic charm, empathetic and cathartic realism, and a glowing wonder for the possibilities of finding ourselves and others in the face of pain and regret, you will love Brilliant Traces. When we seek others and open our hearts and minds to understanding and pushing past differences, the possibilities for growth and healing from our scars seem tangible and worthwhile. This production is worth our time and energy, and I only wish that I had stayed to discuss the touching beauty of Brilliant Traces with these talented actors and designers.
Brilliant Traces runs at the Atlantic Wharf in Boston now until Sunday, June 12, 2016. All performances are free with strongly recommended ticket reservations available here: http://www.brownboxtheatre.org/traces.html. Brown Box Theatre Project continues its performances in Maryland from June 16 to 20.
BRILLIANT TRACESby Cindy Lou Johnson
directed by Heidi Handelsman
Starring: John Golaszewski and Erin Mallon
December 9 - 20, 2009
Wed - Sat at 8:00 pm, Sun at 3:00 pm + Tues., Dec 15 at 8:00 pm
Sometimes I Wonder
A door swings open on a darkened cabin in the Alaskan wilderness. Seeking refuge from a blizzard, a lost and bewildered young bride storms in, throwing herself on the mercy of the cabin's owner. After days of sleep the bride awakes, trapped with her unwitting host in the harshest and most isolated of places. They savagely attack and tenderly console each other, exploring the circumstances which led them both there. By turns vicious, ecstatic and heartfelt,
Brilliant Traces follows the journey of two lonely and fractured people desperate to connect despite the strangest of settings and all that has come before.
'Even if Ms. Johnson had few other talents - and she seems to have many - one couldn't dispute her ability to grab an audience's immediate attention.' -- Frank Rich, The New York Times
Theaterlab | 137 W 14th St. NYC
Brilliant Traces Cindy Lou Johnson Playwright
Tickets: $18 at 212.352.3101 or https://www.ovationtix.com/trs/pr/702545Stage Manager: Jasmin Sanchez
Lighting Designer: Christina Watanabe
Set Designer: Rachel Kenner